Just like our seasonal wardrobes, we tend to curate an entirely new army of beauty products to see us through the summer months.

For most of us, that means waving goodbye to full coverage foundation in favour of skin-enhancing illuminators, hoarding even more SPF than usual and hunting down the products that promise to take our hair from mane-like to manageable – even in high humidity.

Still searching for those holy grail summer buys? Check out what the R29 team are stockpiling.

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Here's how the story goes: Freshly washed, painstakingly diffused and expertly styled, curls always look brilliantly bouncy on day one.

By day two? They're often limp, lifeless and absolutely nothing like their former glory.

It's a curly hair conundrum many of us face every morning, and the products we reach for to revive them are super important. Opt for another whip of mousse and those spirals, tousles and waves could end up crispy, crunchy and uncomfortably rock hard. Splash them with water and you're likely to find yourself wearing a halo of frizz...

Luckily though, haircare brands are listening. From OUAI to Tigi, there are heaps of unsung curl activators out there, all promising to save you a wash and breathe life into your curls in a single scrunch.

Click through for R29's pick of the best curly hair products.

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If you thought frizzy hair was your biggest humidity bugbear, you might want to think again, because according to skin experts, the sticky weather can also wreak havoc on your complexion. We're talking make-up slips, oil slicks and even breakouts.

“In simple terms, humidity is the amount of water vapour held in the air," says facialist and Time Bomb skincare expert Michaella Bolder. "Low humidity comes with colder temperatures and high humidity with warmer temperatures, but our skin likes balance, so either low or high humidity can throw it out of whack."

"During periods of high humidity our skin tends to produce extra sebum and sweat which can lead to clogged pores and breakouts," continues Michaella. "Plus, the damp, hot weather means our skin is more likely to become host to bacteria. If you already suffer from acne then you need to take extra care during hot summer months that you’re keeping the skin as cool and clean as possible, but the same still applies for those with normal to combination skin types."

So what else can we do about it?

"Everyone needs to ensure they are cleansing their skin twice a day, every day during hot summer months. I'd suggest double cleansing in the evening if you don’t already," adds Michaella, and you might want to re-think the products you apply after cleansing, too.

"I would advise to stay away from any long-wear foundations or non-water based SPF during humid weather conditions," adds Michaella. "These products won’t allow for any perspiration to come to the surface and could potentially block pores and cause congestion. You absolutely need to switch up your moisturiser during the summer months, too. Think of your moisturiser in a similar way to your clothes - lighter in summer, heavier in the winter. And If you do have oily or combination skin then you would benefit from using a salicylic acid serum during the summer. Applied at night time, this acid gets to work to exfoliate inside the pores to rid them of any dirt and bacteria that cleansing alone cannot reach. Weekly exfoliation is key for everyone during the summer – it’s important to slough off that top layer of dead, dull skin that builds up thanks to the extra sweat, SPF and pollution, which occurs thanks to the heat and humidity."

Got it. Click through to shop the products that'll humidity-proof your skincare routine.

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"We use the phrase in Latin America," Paula Avila-Guillen, a human rights expert and director of Latin America Initiatives for the Women’s Equality Centre told Refinery29, "' Las ricas abortan, las pobres mueren.' [Rich women have abortions, poor women die.]"

Many anti-abortion advocates believe that outlawing the procedure will stop women from trying to terminate their pregnancies, but research has shown over and over again that this isn't true.

According to Avila-Guillen, we just need to look at some of the United States' southern neighbours such as El Salvador or the Dominican Republican to know that making abortion illegal or severely restricting the procedure leads to deaths, poverty, and restricted access to other types of healthcare.

"Even in countries with total abortion bans, women who have the economic resources can travel to another neighbour country, the equivalent here to traveling to another state; find private providers that will give them the medication or services for an specific amount [of money]; and they will always find a way because at the end of the day it's about financial resources," she continued. "The ones who need it the most, the ones who are already struggling in their lives, are the ones who never connect with these services and are forced to have an illegal and insecure abortion."

Nearly 25 out of the 56 million abortions performed worldwide each year between 2010 and 2014 were unsafe, according to the World Health Organisation (WHO). Many of these terminations or attempts end up in death: At least 22,800 women die from complications each year after trying to terminate their pregnancies in an unsafe setting, according to the Guttmacher Institute.

This debate on outlawing abortion in the United States is more relevant than ever because the day reproductive rights advocates have long feared is here: US Supreme Court Justice Anthony Kennedy, a moderate conservative and key swing vote in the bench, will retire at the end of July. Now, President Trump will have a shot at appointing an anti-abortion justice that could overturn Roe v. Wade, the landmark ruling that gave women the right to choose an abortion.

Avila-Guillen said banning abortion in the US once again would go against the wave of pro-choice movements across the world.

"You’re seeing in Argentina, Brazil, Ireland, and even in the Dominican Republic that people are realising after having these abortion restrictions for a very long time is that they are useless," she said. "It would be ironic that the United States, which has been in a sense a pioneer on reproductive access, would go backwards while the rest of the world is moving forward."

Abortion rates in the US have declined in the last decade, but the procedure is still fairly common: Research has found that about one in four women will have an abortion by the age of 45. While the Trump administration has set its sight on reducing access to birth control and slashing comprehensive sex ed across the country, making abortion illegal has been one of its main priorities since the beginning. (Trump identified himself as pro-choice at one point in his life, but during the 2016 presidential election he briefly called for punishing women seeking abortions.)

Avila-Guillen said the anti-abortion efforts in the US are eerily similar to the push to outlaw abortions in some parts of Latin America. She used El Salvador, a country where abortion is illegal without exceptions, as an example of how suddenly the anti-abortion movement can strike and take hold.

"The change to criminal code was so quickly that the women’s movement was not able to react. They thought it was a right that was granted to them, that was never going to be taken away," she told Refinery29. "What made it worse is that they also changed the constitution a year later stating that life begins at conception."

Avila-Guillen said that El Salvador specifically is one of the countries that most actively enforces its ban. For example, health providers denied chemotherapy to women who are diagnosed with cancer earlier in their pregnancies and even prosecutes women who have miscarriages or stillbirths. Nearly 25 women are currently in jail after being convicted of aggravated or attempted homicide due to a miscarriage.

She added that even in countries where abortion is not entirely illegal poor women are the ones who are the most impacted.

"Something that’s a commonality among all the countries that the impact this causes on low-income women," she said. "This is a parallel that’s already taking place in the United States."

While at the federal level there's been attempts to curb abortion access, the main battle is being fought at the state level: Since 2011, state lawmakers have passed more than 400 abortion restrictions.

"It would be ironic that the United States, which has been in a sense a pioneer on reproductive access, would go backwards while the rest of the world is moving forward."

These restrictions have already made abortion care out of reach for thousands of women. According to the the Guttmacher Institute, 29 states are considered "hostile" to abortion rights. Per their 2017 report, "58% of American women of reproductive age lived in a state considered either hostile or extremely hostile to abortion rights in 2017. Only 30% of women lived in a state supportive of abortion rights."

If Roe v. Wade is overturned by the Supreme Court the situation will become more dire. Four states — Mississippi, Louisiana, North Dakota, and South Dakota — have "trigger laws" in place that would automatically ban abortion the moment Roe is reversed. Ten other states still have pre- Roe abortion bans: Alabama, Arizona, Arkansas, Massachusetts, Michigan, Mississippi, Ohio, Washington, and West Virginia. While those haven't been enforced in decades, it's unclear whether they would get into effect once Roe is overturned.

Based on her experience in Latin America, Avila-Guillen said it's crucial for people who want to defend reproductive rights in the United States take several steps: Make sure reproductive justice should be part of a broader women's rights agenda and emulate women in other nations and take the streets to protest.

In the last few days, reproductive rights advocates have been racing against the clock to pressure lawmakers into rejecting potential Supreme Court nominees who are open to reversing Roe.

"President Trump has promised to nominate Supreme Court justices who will overturn Roe v. Wade. That promise should set off alarm bells for anyone who cares about women—and the Constitution," Nancy Northup, president and CEO of the Centre for Reproductive Rights, said in a statement provided to Refinery29 last week. She added: "The stakes of the coming nomination fight are extraordinary. The future of reproductive rights is on the line. It’s up to the Senate to ensure that Anthony Kennedy be replaced with a justice who will affirm the fundamental rights of all."

If the United States ends access to safe and legal abortion, just as Vice President Mike Pence gleefully predicted earlier this year, we wouldn't be restoring "the sanctity of life" as he said. The country would just be signing a death sentence for women. The evidence is right before our eyes. We shouldn't ignore it.

Read our guide to defending reproductive rights and abortion access here.

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Yesterday when my girlfriend and I were walking to a flat viewing we were called ‘disgusting’ by a man, sitting with a girl. He waited until after we’d gone far enough away so he didn’t have to say it to our faces. We both went a bit silent. I made a joke about Pride month being over so men had a lot of pent up hate to get out. A few minutes later she made the same joke – either she hadn’t heard me or she forgot. When we went around the corner we’d stopped holding hands. She said it was because I was too tall but I’d hardly grown five centimetres on that five minute walk.

We got on with our day, saw the flat (it wasn’t quite right) and went home. I made dinner, we watched Love Island and I shouted a lot at the TV (Georgia, my brave little queen!). We’d forgotten about it, moved on. But today, when I read the headline: Two-thirds of LGBT people fear holding hands in public I started crying.

We swallow so much for fear of making a scene

We swallow so much for fear of making a scene. I squash it down into my gut and let my mind drift until I forget, because everything’s fine now for women like me! I live in London, I’m femme, I’m accepted and loved by my family and friends. When I’m on my own most people don’t clock me as a lesbian – I find that frustrating when it comes to visibility but it’s also a safety net that protects me. So I think everything is fine. But when it’s not, and you remember, it all spills out in embarrassing wet hot tears. Or anger. Impotent rage.

This Pride month there has been a lot of talk about visibility and what it means now. That it’s less of an urgency and more of an essential – we shouldn’t have to demand to be a part of your landscape as we are already woven in. That what is actually needed is concrete support for the most marginalised in the LGBTQ+ community: trans and NB people who face violence for needing to pee; those fighting a wealth of mental health problems against the backdrop of a disintegrating NHS; the LGBTQ+ people of colour who face racism from within their community. These are concrete, urgent problems that need to be addressed and talk of visibility can feel… superficial almost. Superfluous.

Being a visible part of the LGBTQ+ community still carries danger. There is a marked difference between a clothing brand changing their logo to include a rainbow, or changing their name in some puny way (hi DeLOVEroo) and walking home next to your partner of five years, scared to hold hands lest you are spotted by someone who thinks its still socially acceptable to hate you. Someone who uses your difference from them as a fuel for hatred, and violence – and holds their position of power over you in a deliberate threat. Knowing that acts of intimacy that straight people can indulge in without a care in the world are something we have to keep secret.

The statistic announced today doesn’t shock me. I don’t think it shocks a single LGBTQ+ person I know. There is no universal LGBTQ+ experience except that when we go out, visibly queer, into the world, we will encounter people who hate us, and will happily tell us or show us through violence, and never think about it again.

It shouldn’t be up to the two thirds of us to shield ourselves from the world just in case – it should be up to that woman, sitting next to that man yesterday, to call him out. I want straight people who call themselves allies online to try and pre-empt this, as well as supporting us afterwards. Straight people may be surprised by this. Even if they aren’t, it shouldn’t take stories of harassment for them to believe this still happens. I shouldn’t have to digest this fear and upset and a teensy bit of self-loathing to get through the day.

We still have a long way to go until being out in the world feels truly safe. I just wanna hold my girlfriend’s hand in public like everyone else.

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On July 4, 1845, Henry David Thoreau left the thriving metropolis of Concord, Massachusetts, and moved to a small cabin on the shores of Walden Pond for a two-year experiment in living “deliberately.” The result was Walden, or Life in the Woods, a preachy treatise on the benefits of solitary dude time off the grid, and required reading for high schoolers all across America.

One-hundred and seventy-two years later, Justin Timberlake would also pull a Thoreau: The ex-Mouseketeer turned pop star with frosted tips abandoned the bustle of Los Angeles for a multi-million dollar home in an exclusive residential community outside Big Sky, Montana. It’s in those wide-open spaces that he filmed the teaser video for Man of The Woods – his fourth studio album and his first in five years – released in February 2018. Timberlake was also exploring – or maybe just exploiting – the concept of Americana. Whatever that means in 2018.

The term “Americana” is typically associated with the music genre that bears its name, a kind of musical melting pot, incorporating elements of American folk, country, bluegrass, rock, R&B, and blues. Think Chris Stapleton, Lady Antebellum, Willie Nelson, Kacey Musgraves — artists who make you fantasise about hopping into a vintage Camaro and following Guy Fieri around his Diners, Drive-Ins and Dives tour of America.

But just as we’re now living in a dual America — divided over politics, culture, and everything in between —a new version of Americana is emerging to compete with the old one, one that deals not in escapism, or looking back, but rather in creation. It’s looking forward, to what we could be, instead of putting what we were under a Mayfair Instagram filter.

It’s not just campy nostalgia — Americana is everywhere. It’s in Kanye West’s decision to celebrate the release of Ye, his latest album, with a launch party in the great outdoors of Wyoming (read: a luxury ranch outside Jackson Hole); in the quiet lower-middle-class suburban existence of Lady Bird; in the short-lived return of Roseanne; in the garish Disney-themed motels of The Florida Project; and in the difficult truths of Childish Gambino’s This Is America.

This reclaiming of traditional American symbols is playing out over a wide spectrum, but at its core, it’s a response to our growing self-doubt as a nation: Who are we? And what do we stand for? In their own ways, all of the works cited above are a response to this climate of change. But where some are seeking answers in the past, others are grounding themselves in the present, and carving out new ways to frame what it means to be American.

The 2016 election of Donald Trump as president of the United States has thrown those questions into sharp relief. His supporters, alienated from years of being talked down to by what they perceive to be liberal elites, yearn for those times of yore when being a small-town white man epitomised, in simple terms, Americanness. The Trump administration has exposed an ugly underbelly of latent racism, class conflict, and sexism, yes. But also a large swath of citizens who are keen to find a place in a country they feel is slipping away from them, politically, culturally and economically. Their Americana is the old-school one.

They fear what is already a reality: an increasingly diverse America where being white is no longer the default or majority. Citing new census projections, the Brookings Institute declared in March that racial minorities will make up a majority of the U.S. population by 2045, with multiracial, Asian, and Hispanic Americans growing at the fastest rate, followed by Black Americans.

“There’s always a tendency, when things aren’t the way we want them to be, to look back to the old days, as though the old days were like that,” said Robert J. Thompson, professor of Television and Popular Culture at the S.I. Newhouse School of Public Communications at Syracuse University. “Some of these people think back to what a wonderful time it was and forget that, ‘Oh right, women couldn’t vote. Jim Crow laws were still going at that time.’”

“Americana is partially this idea of looking back to a better past,” Thompson added. “But it’s a better past in our current past in our current perception of it, and may not often be a better past in terms of what was actually happening at the time.”

Thoreau’s decision to abandon civilisation was a direct response to the pressures brought on by industrialisation. Similarly, Timberlake’s recent push to the wilderness can be seen — as Anne Helen Petersen expertly broke down in her essay over at Buzzfeed — as a way to escape from difficult conversations about Timberlake’s history of exploiting of Black bodies and art forms for his own personal gain. Unfortunately for him, this isn’t 1845, and those questions resurfaced the second he stepped out of the mountains and onstage at the Super Bowl, despite his Herculean effort to keep things bland.

This idealisation of “a better” America in popular culture is nothing new. If you turned on your TV in the late 1960s, amid the turmoil of the counterculture, you’d find a depiction of America that had absolutely nothing to do with Woodstock or the civil rights movement. Shows with a retro, pastoral vibe like Green Acres, The Beverly Hillbillies, and Petticoat Junction dominated the airwaves far more than hippies and free love ever did.

“Right up until the end of the decade, including the most turbulent year, 1968, some of the highest-rated shows in the country [were] what we would call ‘deep Americana,’” Thompson said. “One of the biggest hits of the 1960s was The Andy Griffith Show. It took place in Mayberry, NC, a small town [that] had no railroad. It had a phone line that the entire town used.”

Timberlake’s album definitely falls into that category of an “aw-shucks,” folksy look back into the past, and perhaps that’s why it was so ill-received. Because as Thompson points out, there’s a major difference between that kind of escapist response and the way Americana is being wielded today. He points to the Ronald Reagan’s now-iconic 1984 re-election commercial, “Morning in America,” as the the last gasp of that kind earnest use of Americana to sell a narrative.

“After that, to do that would just seem so completely, ridiculously naive,” he said. (Sorry, JT.)

Which brings us to the more modern use of Americana — more skeptical, more questioning, and often used to highlight the problems within the traditional, glossy version of the story. It’s an America that confronts the very realities the traditional one shied away from.

There are signs of the trend as far back as 2015, when singer-songwriter Halsey released “New Americana” on her debut album, Badland s. The song, dubbed a “would-be generational anthem” by the New York Times, was intended as a reclaiming of American identity. But unlike Timberlake’s version, it used classic scenes of Americana, like the desert mountains on display in the song’s music video introduction as a way to carve out new meaning, rather than as a return to old values.

“We are the new Americana,” the singer, who told the Times she identifies as “trib bi — biracial, bisexual and bipolar,” sings in the chorus.

Beyoncé’s 2016 visual album, Lemonade is an example of a very regional take on the American Black experience. “Formation,” the first video released to tease the album, showed the singer in an abandoned plantation and lounging in a sinking car meant to evoke New Orleans post-Hurricane Katrina. It’s an ode to Southern Black culture, with specific references to Beyoncé’s Alabama and Louisiana roots, but it’s also piece of social commentary, using American imagery to talk about the Black experience, from the legacy of slavery to the Black Lives Matters movement

Released in May, Childish Gambino’s This Is America, which highlights injustice and violence in the lives of Black Americans, does this in a much more explicit and forceful way.

“This is America, don’t catch you slippin, no’” he sings, before shooting a hooded man in the head.

As Justin Simien, creator of Netflix’s Dear White People, noted on Twitter, the pose the rapper adopts while pulling the trigger strikes of Jim Crow imagery, a darker part of Americana that is usually glossed over when seeking nostalgic comfort in the past. And indeed, the four-minute video sparked a fierce backlash from some who viewed it as exploitative of Black pain for commercial purposes — but isn’t that the very point Childish Gambino was trying to make? That America only includes Black citizens in its story when it serves some tangible purpose?

In fact, Simien concludes his thread by asking: “How can those of us granted a moment in the proverbial spotlight just use it to entertain ourselves to death?”

“It’s a challenge and a series of questions. Like art should be,” he adds.

Kanye West’s big flashy Wyoming party for the release of Ye also fits this mould, especially in light of his recent comments regarding his political affiliations and support for Trump. As a Black man from Chicago, he’s no Timberlake, trying to claim lumberjack status. He’s making a statement about who gets to live that narrative. While the lyrics of the album’s seven tracks make no explicit statement about Trump, they dig deep into West’s inner psyche, his struggle with mental illness, and his pessimistic view of human nature. The statement “I hate being bipolar it’s awesome” superimposed on the sweeping mountain views of his album cover feels like an attempt to reclaim a space that has traditionally not been his to inhabit.

Even ABC’s Roseanne reboot couldn’t unambiguously endorse the America it was created to portray. The show was ABC’s push to capture the eyeballs of Trump-supporters, as evidenced by its trailer, which showed only white members of the blue-collar Connor family alongside the slogan: “The family that looks like us.” From a ratings perspective, it worked. Audiences were clearly hungry for that kind of middle ground, and sentimental about a past show that had meant to so much to so many. And to the show’s credit, the episodes that did air clearly attempted (albeit clumsily in some cases) to deal with issues of race, gender identity, and the gaping political divide.

Still, all that was short-lived, as Roseanne Barr’s continued barrage of racist and controversial tweets turned out to be impossible for the network to ignore. In fact, it’s almost as if Barr’s real-life actions were more in line with Trumpian values than the show itself.

On the other side of the political spectrum, shows like Netflix’s One Day At A Time reboot are also attempting to reclaim symbols of working class Americana, this time by giving the show a revamp rather than doubling down on its roots.

The original One Day At A Time, set in Indianapolis, centred around Ann Romano (Bonnie Franklin), a single mom trying to raise her two daughters in the 1970s. At the time, a show that highlighted women’s issues in that way was revolutionary. But the reboot, now in its second season, takes that concept and updates it for a modern audience, moving the setting to Los Angeles, and changing the family’s ethnicity from Italian-American to Latinx. The main character, Penelope Alvarez (Justine Machado), is a second-generation Cuban American and former Army veteran. Her daughter Elena (Isabella Gómez) identifies as LGBTQ +. And the addition of another generation, Penelope’s mother Lydia (portrayed by a larger-than-life Rita Moreno) allows the show to portray a counterpoint perspective on issues like sexism, gender identity, racism, immigration, and mental health, while keeping a decidedly liberal bent within the other characters.

“[ One Day At A Time] has done a really sophisticated, funny, repackaging of this idea of ‘Americana,’ but doing it in that really old-fashioned way,” Thompson said. “Its content is something very different than what we saw back then.”

A show like This Is Us, which takes a very traditional format of working class family drama, and elevates it with discussions about body positivity, race, and class, is kind of a middle ground between the two. On the surface, the Pearsons are the quintessential American family, in the most 1950s, white picket fence sense of the term. But what the show ultimately proves is that that kind of family doesn’t really exist, at least not anymore.

And then there’s the many dystopias cropping up in pop culture, whether it’s Hulu’s adaptation of The Handmaid’s Tale, or HBO’s Westworld, both of which use potent American symbols (Puritan dress and ideology, and the Wild West, respectively) and twist them into something bleak. “In an American notion of a good old-fashioned western, you think back to the simple days of cowboys,” Thompson said. “ Westworld shows that if you actually pay attention to your little Americana fantasy, and simply scratch the surface, there’s an evil robot under there.”

That’s the crux of this issue: 2018 may have seen a re-emergence of Americana in the pop culture space, but it’s almost universally suspicious in its attitude towards the traditional aspects of it. We’re clearly in the midst of a cultural shift that’s mirroring our political one, and part of that means a re-shuffling of the elements that make up our identity. Just as Thoreau’s Walden became required reading to understand a certain vision of America, it’s likely that 2018’s pop culture will become the prism through which future generations understand our own current moment. (Lucky for them, it’s a lot less boring.) But that’s not necessarily a bad thing — the definition of Americana has always been fluid. After all, pizza was once considered an ethnic food.

So far, the arbiters of the term have been white men of privilege, but so what? Apple’s iOS changes every month (or so it seems) — why shouldn’t America get an update?

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The next major fashion exhibition to open in London was announced this weekend with a cryptic message delivered via topiaried hedges outside the British Embassy building in Paris. In town for the haute couture shows that run all this week, fashion editors would recognise the silhouette anywhere, even in bush form: Christian Dior’s iconic Bar jacket, an essential component of his revolutionary 1947 collection The New Look.

The bushes told them that the rumour was true. The blockbuster Christian Dior: Designer of Dreams exhibition held at the Museum of Decorative Arts in Paris from last summer until January 2018 would travel across the channel to London. Opening in February 2019 at the V&A in South Kensington, the retrospective will be the museum’s largest show since Alexander McQueen: Savage Beauty in 2015, and the largest Dior exhibition ever staged in the UK.

More than 200 rare Dior couture garments will be shown, from Christian Dior’s original designs to Maria Grazia Chiuri’s contemporary feminist T-shirts, via the work of historic creative directors Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano and Raf Simons. They will be shown alongside accessories, makeup, fragrance, photography, film, magazines, and Christian Dior’s personal possessions, with a special new Anglophile section exploring Monsieur Dior’s relationship with the UK added on for British audiences, despite our Brexity ways.

"In 1947, Christian Dior changed the face of fashion with his 'New Look', which redefined the female silhouette and reinvigorated the post-war Parisian fashion industry," says Oriole Cullen, a fashion and textiles curator at the V&A. "The influence of Christian Dior’s design was all-pervasive and helped to define an era. In their own individual ways, each of the House’s successive artistic directors have referenced and reinterpreted Dior’s own designs and continued the legacy of the founder, ensuring that the House of Christian Dior is at the forefront of fashion today. More than seventy years after its founding, the V&A’s exhibition will celebrate the enduring influence of the House of Dior and uncover Dior’s relationship with Britain."

It will be interesting to note whether the V&A’s exhibition will explore the evolving feminist politics of the House of Dior, from Christian Dior’s reactionary post-war vision of femininity to Maria Grazia Chiuri’s modern "We should all be feminists" mantra (taken, of course, from Chimamanda Ngozi Adichie’s lecture and essay of the same name). Of his New Look, Christian Dior once wrote, "We were emerging from the period of war, of uniforms, of women-soldiers built like boxers. I drew women-flowers, soft shoulders, fine waists like liana and wide skirts like corolla." That first sentence is generally cut from quotations, presumably to make the second read as a statement rather than as a judgement. In fact, some feminists blame M. Dior’s cinched-waist Bar jacket and swishing skirts for setting the revolution in gender roles back a decade to the pre-war period.

Christian Dior’s experiences as a young man in Paris in the Roaring Twenties and his affinity with avant-garde artists contextualised the Paris exhibition, and demonstrated how later creative directors took inspiration from M. Dior’s life and interests; hopefully that period won’t get the chop to make way for the new British section. Similarly, the couturier’s passion for the aesthetics of foreign cultures will butt up against contemporary debates around cultural appropriation, but it would be a shame to bypass the opportunity to discuss how we value fashion statements from historic periods, when being woke simply meant you had been roused from sleeping. And with the V&A promising to create a blockbuster exhibition to follow Alexander McQueen: Savage Beauty, it will be thrilling to see how they recreate the stunning finale of the Paris exhibition, in which couture gowns – many worn by celebrities and royals – were presented in a spectacular Dior Ballroom.

Christian Dior: Designer of Dreams will open from 2nd February – 14th July 2019 at the V&A Museum. Tickets go on sale in autumn 2018.

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The current heatwave affecting much of the UK has left many of us feeling hot and bothered, but spare a thought for the people living on the streets with no respite from the heat.

Passersby tend to pay more attention to homeless people during the cold winter months than in the summer, but any extreme weather conditions can pose problems for those sleeping rough. With a heatwave comes the risk of serious dehydration, sunstroke and sunburn.

There are more than 9,000 people recorded as rough sleepers in England, and the number of homeless people recorded dying on the streets has doubled in the last five years, so it's no wonder homeless charities are calling on people to help them during our current heatwave, which is expected to last another two weeks. Here are some simple ways you can help someone living on the streets this summer.

Buy them crucial supplies

You can donate certain items either directly to someone sleeping rough or to a homeless shelter or charity, says London homelessness charity Evolve. These include:

• Bottled water and food for hydration.
• Sun cream to reduce the risk of skin damage.
• Hats and sunglasses to prevent sunstroke and eye damage.
• Handheld fans to lower body temperature and prevent heatstroke.
• Baby wipes for sanitation and avoiding athlete’s foot.

"A lot of people sleeping rough don’t have the basic items needed to survive on the streets in hot temperatures," says Debra Ives, the charity's director of operations. "As a result, we’re calling on the public to donate things like sun cream, water and sun hats to help those at risk in the coming months."

Matt Downie, head of policy and external affairs at Crisis, also recommends donating spare umbrellas. "People living on the streets may spend nights on the move in order to stay safe, which means they often sleep during the daytime, so offering to help someone to find shade could save them from severe sunburn," he told Refinery29.

Put them directly in touch with a charity

If the person sleeping rough is under 25 years old, you can connect them to the Centrepoint Helpline, a freephone number on 0808 800 0661, recommends Paul Noblet, the charity's head of public affairs. "People experiencing homelessness are exceptionally vulnerable to extremes of weather. The most important thing is to get young people on the street to safety," he told Refinery29, adding that water, sun cream or umbrellas for shade can help reduce the risk of heat exhaustion and dehydration in the short term.

If the person is over 25, refer them to StreetLink, a website, app and telephone service that can connect rough sleepers in England and Wales to local accommodation and support services; or to Shelter's free helpline (0808 800 4444 or 0808 1644 660 if it's urgent), online support or local services.

You can also help them find short-term solace and shade at a day centre or in emergency accommodation supplied by the local council, says the homeless charity Shelter.

5. A homeless person can get advice and help from Shelter’s free helpline, online, or face-to-face local services.

Get help: https://t.co/9g3P3QochC

— Shelter (@Shelter) June 25, 2018

7. The local council may help someone who’s homeless with emergency accommodation. We've got advice on how to apply to the council on our website: https://t.co/ivpVA4fN8R

— Shelter (@Shelter) June 25, 2018

Tell a charity where to find them

Alternatively, you can alert a charity to the person's presence on the street if you consistently spot them in the same place. As well as putting rough sleepers in touch with local services, StreetLink lets people send an alert when they're concerned about someone sleeping rough. Let the service know the person's location, appearance and time they were seen, and these details are sent to the correct local homelessness outreach team.

"We know that the public often want to help when they see someone sleeping out, but they don’t always know how," says Matt Harrison, director of StreetLink. "As well as offering instant relief, such as a cold drink, sending an alert to StreetLink will link the person up with local support and accommodation services that will work with them to help them off the streets for good."

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Though some people might argue that dating apps have made dating so much worse, you could also say that it's never been easier to find someone, talk to them, and potentially go on a date. Or, you know, talk to them, wait days for a response, and then find out that you've been ghosted. Either way, we can all probably agree that swiping through potential matches has become as mindless as brushing your teeth.

But when it feels like the "right" person might just be one swipe away, it's tempting to feel like you need to constantly swipe, message, and set up dates with people to get the relationship you want. Which, to be honest, is anxiety-inducing as hell.

However, Rachel Sussman, LCSW, a relationship expert based in New York City, says that you don't have to spend all of your time swiping and dating (unless you want to) in order to find someone.

"I don’t think it’s a good thing to constantly be doing anything," she says. "Think of the things you have to do, like sleeping or eating: They’re good for you, but not if you’re doing them all the time. Everything in moderation is key."

Think of the things you have to do, like sleeping or eating: They’re good for you, but not if you’re doing them all the time.

In other words, if you have dating app fatigue, it's okay to take a break — even if you feel like you're missing out. Of course, that's not to say that you shouldn't be swiping at all if a relationship is what you want.

"You have to find ways to make it not exhausting for yourself," Sussman says. "If you want a relationship, you have to still put in the work, just like how someone looking for a job still has to apply and go on interviews, even though it's exhausting."

That might be as easy as setting boundaries, like only going on Tinder every few days instead of every night, or, as Sussman suggests, being honest with the people you're talking to, and telling them that you can only be on the app every so often for the sake of your mental health (and giving them your number if you're super interested and don't want to miss out on talking to them).

And if you're sick of swiping but still want to meet someone, there are other ways to do that, too. Apps might make it easier for some of us to put ourselves out there, but Tinder, Bumble, and OkCupid aren't the be-all, end-all. Still, if you are on dating apps, it's easy to feel FOMO when there are literally millions of people across different dating apps and the options seem so limitless. But if you're more exhausted by your options than you are excited, take note of Sussman's advice and know that you have time to date and maintain your sanity.

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The trailer for Rest in Power: The Trayvon Martin Story is hard to watch, and that's why everyone needs to see it. Executive produced by Jay-Z, the six part docuseries takes a brutal look at the events of February 26, 2012 when 17-year-old Trayvon Martin was shot and killed by George Zimmerman. In July of 2013, Zimmerman was acquitted, claiming he acted in self defence, and the decision ignited the fierce and important movement to end the senseless killing of Black Americans and the justice system that appears to allow it.

It's a debate that rages until this day, and now this docuseries is an important part of the conversation. Combining interviews with Martin's parents and peers with real footage from the night of the attack, there's no ignoring the unjust and deadly racial discrimination that continues to plague the U.S.

Jay-Z has always been vocal about Trayvon Martin, supporting the community during rallies. Beyoncé has also used her platform to call attention to his murder, giving a tribute to the late teen during her 2016 VMAs performance. This series comes ahead of the October release of The Hate U Give, an adaptation of the novel by Angie Thomas starring Amandla Stenberg and K.J. Apa. The story is also centred on the murder of an unarmed Black teenager.

Rest in Power: The Trayvon Martin Story premieres in the US on 30th July at 10pm on Paramount. UK air date TBC.

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You said you deleted their number, but you didn't have the heart to go through with it. You ran into them at one of your old haunts and now you can't stop thinking about them. The temptation to rekindle an old relationship, no matter how ill-fated it was the first time around, can be pretty intense, regardless of your Zodiac sign. That said, some are more astrologically inclined to pursue an ex than others, albeit for very different reasons. Below, we'll highlight four signs whose personality profiles make their members more likely to get back with an ex (especially those who have these signs as their moon or Venus sign).

Let's start with the signs that end up in on-again, off-again relationships due to nostalgia — Cancer and Pisces, we're looking at you. As two of the three water signs of the Zodiac, you're deeply in touch with your feelings and feel an intense connection to the past, sometimes to the point that you seek out old memories like episodes of your favourite TV show, replaying them in your mind to relive how you felt in that moment. Of course, people you've known and been close to carry a font of memories with them, too. And for all the bad or frustrating memories you might associate with your ex, you can't help but recall all the fun and intimacy you shared with them as well.

This is where the trouble starts. Nostalgic signs crave familiarity (see also: Cancers' penchant for staying close to home and Pisces' tendency to nurture long-held inner fantasies). You find comfort, safety, and happiness in what you already know — and if you're in the right mood, you can end up viewing familiar people and settings through extremely rose-tinted glasses.

Let's be clear about water signs' penchant for sentimentality — it isn't always a bad thing and it doesn't pertain exclusively to their exes. Pisces and Cancers are just as likely to get back with their exes as they are to move back to their hometown after years away — they're not predestined to do either of these things, but neither are ever completely out of the question.

Next, we have the signs that return to their exes out of pure romanticism — Taurus and Libra, this one's for you. The former is your classic "hopeless" type of romantic: Many Taureans hold fast to the belief that, when you connect with someone, the more logistical details (your preferences, lifestyles, habits) will eventually align, too. If a breakup occurs at some point, that's just a complication on the way to your fairy tale ending. Besides, as creatures of habit, Bulls would rather fight for the familiar than move on and risk leaving their comfort zone.

Meanwhile, Libra wants to see the best in people, always. Their diplomatic nature urges them to see reason in everyone's actions, even if that means performing some emotional gymnastics to understand why their ex hurt them. As you might expect, this leads Libran people to be pretty darn forgiving — and more willing to take back a remorseful ex than most. It's no coincidence that these signs share a planetary ruler in love planet Venus. As smart as Taurean and Libran people can be, they struggle to shake their idealism.

And now, a final disclaimer: These aren't golden rules that apply to every member of all the signs we just mentioned — there's maybe one astrological rule that can applied that liberally and it's "all members of a sign are born during its solar season." You might be a Sag who'd sooner give up dating altogether than get back with an ex or a Pisces who's never kept a memento from a past relationship in your entire life. But, if you tend to look back on past relationships and wonder if you should give them another try, you might have a placement or two in Taurus, Cancer, Libra, or Pisces.

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15-year-old Alyssa Carson is on a quest to become one of the first humans to go to Mars — even if it means leaving Earth forever. Watch above to see her incredible journey, and how she and her father are preparing for this major milestone.

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Surveyors of Maria Grazia Chiuri's latest collection for Dior were probably split yesterday when the creative director sent its fall 2018 haute couture offering down the runway. For those who rely on the 'haute' in haute couture as a source of fantasy, a repose from the cycle of ready-to-wear, or a welcomed interpretation as fashion as art, it was bleak at best. But for those who are well-versed in the true nature of the craft — its very definition of clothes that are made to fit a client — then Chiuri's most recent lineup, set in a room of walls lined with toiles (3-D blueprints of what couture is made out of), was a quiet success.

Its palette of neutrals — nudes, dusty pastels, and some navy — may not stand out amidst the rest of the week's lineup of intense embroidery and hues, but it is, however, innately French, which is (ultimately) a key selling point for the storied fashion house. (Because this stuff is for sale, after all.) And in terms of variety — suits versus dresses, sleeves versus no-sleeves, flats versus heels — there was some, but not enough to keep younger generations, who may not be on the market for a multi-thousand dollar gown but still like to window shop, interested. Chiuri's subdued take might not be reflective of the current state of fashion, but it seems the Dior woman, who's taken on the roles of equestrian, feminist, ballerina, and fencer in recent seasons, needs a break.

In that sense, Dior's fall 2018 haute couture show felt like the eye of the storm that is haute couture week, which made for the perfect moment to take a breath backstage at the Musée des Arts Décoratifs in Paris. In the slideshow ahead, we went behind the scenes to capture the show's most intimate moments. Because while couture may not be the most affordable range of made-to-measure, it sure is pretty to look at.

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There's a Misty Copeland quote that's so relatable it's become a popular Instagram meme among dancers. "The hardest thing to hear as a ballet dancer is, 'Oh, that's so cute!'" it reads. "And I'm like, 'If you only know what it took to look cute.'" It makes sense why it resonates with so many ballet dancers: They spend hours on end training, rehearsing, and perfecting a role, but the audience only gets to see the final product.

Fortunately, in the past few years, Instagram has given dancers a platform to share behind-the-scenes glimpses into what their daily life is really like. Exposure through social media is incredibly important, because it allows dancers like Copeland the opportunity to develop a brand and following, and because it makes ballet more accessible to those who can't afford to pay to see a live performance. Plus, photos and videos of dancers are just cool.

On Instagram, you can see videos of, say, what it really looks like when American Ballet Theatre rehearses massive corps de ballet segments, or what prima ballerinas really do in their dressing rooms. And more importantly, you can learn to appreciate all the hard work that goes into "looking cute."

Ahead are the ballet dancers you should follow on Instagram for everyday inspiration in your feed.

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Welcome to Money Diaries, where we're tackling what might be the last taboo facing modern working women: money. We're asking a cross-section of women how they spend their hard-earned money during a seven-day period – and we're tracking every last penny.

This week we're with a 24-year-old woman and her 25-year-old boyfriend living together in Manchester. Although the couple earn almost exactly the same as each other, she always finds herself left with money at the end of the month, while he never is.

To find out where his money's going, we got them both to record their week in spending. And, well, things didn't turn out quite like she expected...

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You wouldn't leave the country without stocking up on SPF for both your face and body, but what about sun protection for your hair?

According to Pinterest, saves for SPF hair mists have increased by 52%, as more and more of us are becoming aware of sun damage. While your lengths won't peel or turn an unsightly shade of lobster red like your back and shoulders, intense heat and UV rays have the ability to sap it of moisture, shine, movement and colour in a matter of minutes. Cue lacklustre, straw-like tresses on your return to Heathrow and at least three frantic phone calls to your hairdresser the day after.

Protecting your locks from the sun might not be high on your agenda when all you want to do is sink daiquiris but there's a new breed of easy hair mists, serums and oils with the ability to shield those pesky free radicals, minimising damage instantly and cumulatively throughout the day.

Click through for R29's pick of the best.

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Good news! The heatwave is set to continue well into July, which means more sunny days and hot nights.

For daytime we favour comfy dresses, sandals and trainers but summer evenings are our chance to be a bit more daring with our sartorial selection. If you're thinking about what to wear to summer parties, barbecues, floating cinemas or rooftop restaurants, we've got you covered.

Ahead, R29 staff select their favourite pieces for slaying these summer nights. Click through for inspiration...

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I still remember that excruciating moment when a colleague stood over my chair, squinted at the top of my head and said loudly: "Are you going grey?" Thanks. I was 25 and really had no wish to highlight the silvers starting to poke through my naturally dark hair. Not long after that, I started getting my hair coloured to cover those stubborn strands. But over the years it's left me wondering: Why do we have such an issue with grey hair?

"People usually notice their first greys in their early 30s," explains Anabel Kingsley, trichologist at leading London hair clinic Philip Kingsley, stating that on average, over half of our hair will be white (unpigmented) by our 50s. However, she adds, hair can start turning grey much earlier for some people and is strongly reliant on genes.

So our parents and their hair history can be a strong indicator of when we’ll start to go grey. Jessie Young, a 21-year-old student from London, admits she was a little shocked to find her first grey at 15, but it wasn’t completely unexpected. "My mum was entirely grey by 30," she says, "so I guess that affected my feelings about it because there was some sense of inevitability." Although she currently has no desire to cover the greys she has, Jessie says she’ll see how she feels in a few years when it becomes more noticeable in her brunette hair. "I hope I can just embrace it. I’ve dyed my hair white before and if it happens naturally then it will be a lot cheaper to keep up."

Martha Truslow Smith from Charlotte in North Carolina decided to stop dyeing her hair two years ago at the age of 24 when she realised that the stress of "falsifying an appearance" and covering her roots was chipping away at her self-esteem. She says it created "a miserable pattern I could see myself locking into, like so many women, for years to come". She set up an Instagram account, @Grombre, which now boasts more than 8,000 followers, both to give her encouragement on the hard days when she was growing out her hair, and to create a platform to celebrate the beauty of grey hair. She’s strongly in favour of reframing the conversation to move it from being something to be ashamed of to something to be loved.

Happy Friyay! @young_and_gray29 #gogrombre #grombre

A post shared by Going grey with (grohm)(bray) (@grombre) on Feb 16, 2018 at 5:48am PST

"I am so sick of being told what to look like," Martha says, insisting that it's important for women to take control themselves. "I don’t think women have suddenly lost any taboo or shame of grey roots. Growing them out takes profound bravery that often doesn’t go unnoticed (for better or for worse), but what I’ve found to be more powerful than any negative words, is the ability to look in the mirror and be able to see myself, not a version of me others have told me to construct." Katie Petersen, 34, from Portland, Oregon, agrees. Having decided to stop colouring her hair a year and a half ago, she now rocks a neat brown bob streaked with silver. "I know it’s hard not to worry what others think, but ultimately do what feels right for you. Nobody really cares about your grey hair as much as you do."

Martha warns, though, that going grey shouldn’t be considered a trend and that embracing it isn’t for everyone – and that is okay. Beauty journalist Sali Hughes has brilliantly documented the trials and tribulations of her own greying hair and insists on the right of every woman to make a decision that suits them, be that ditching the dye or grabbing it with both hands. Writing for The Pool, Sali declared: "All we 'should' be doing, as ever, is encouraging women to do with their bodies whatever they damn well please."

It is undeniable though, that despite grey hair positivity and platforms such as @Grombre, there is still a stigma attached to greying hair, especially when it begins prematurely. As such our relationship with our locks losing their colour can be complex, and one we don't always feel comfortable talking about. Personally, I was struck by how many friends, colleagues, acquaintances and strangers shared their stories, once I asked the simple question: "When did you find your first grey?" If I thought I was the only one who'd found more and more grey hairs before my 30th birthday, I was most definitely wrong.

One 27-year-old who got in touch but didn’t want to be named described how she had spent almost an hour the night before her wedding plucking out every single grey hair she could find – almost 100 strands in total. Although she doesn’t colour her hair, she does admit feeling both self-conscious and conflicted over it: "Rationally, it doesn’t make sense to spend money on, but it sticks out and bothers me."

A 31-year-old who spotted her first grey at 17 told me how a streak of silver hair on one side of her head makes her feel self-conscious, despite reassurance from friends that she’d look cool leaving it uncovered by root spray (a non-permanent colour in a can, which she says has been a game-changer for her as she can dye her hair less frequently): "I get self-conscious about it because I think it ages me and I don’t like how it looks on me. Some of my guy friends said it would be cool if I let it grow out as a streak but I don’t know if they’d say the same if I was grey all over."

Elizabeth Hodge, a 31-year-old mother of four living in Florida, was 13 when her mum spotted her first grey hair. "At the time we just laughed about it but over the next couple years the grey hair quickly multiplied," she explains. "By the time I was 15 some friends would tease me about it and pull one out to look at it in amazement." At 17, her cousin, a hairstylist, began colouring her roots every four weeks but after a decade of this routine, she decided enough was enough. "I didn’t want to spend the time and money, and also I was curious about what my natural hair looked like," she says. "I was frustrated with the apparent general expectation that young women don’t have grey hair. I got my premature grey hair from my dad and he was never pressured to colour it; in fact, his good looks were often attributed to having grey hair."

Anabel agrees that there is a double standard between the sexes when it comes to going grey. "It’s generally acceptable for a man to sport grey hairs," she says. "It’s even thought of as attractive and distinguished – hence the phrase 'silver fox'." But for women, she says, it can be a different story: "It signifies becoming less desirable and is associated with the negatives of ageing. The fact of the matter is that society puts more pressure on women to remain looking youthful."

Whether you choose to dye your hair, leave it natural or streak it through with whichever
colour suits your mood, in the complex world of greying hair and society's relationship with it, there is only one solution, and it's Sali's: Do whatever you damn well please.

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I do not expect any sympathy whatsoever but so far this year, my only holiday has been a long weekend back home in Ireland for a friend’s wedding, which entailed one marathon piss-up, one day being so hungover I wished for death, and the next two trying to assuage my Catholic guilt by clearing boxes of old school copybooks and strings of fairy lights purchased in Thailand circa 2002 from my bedroom at the behest of my parents. I arrived back in London feeling and looking like utter shit, got home, ordered a pizza from Deliveroo and fell asleep on my bed in my clothes.

My next break I swore would be different, so I signed up for the least "me" thing I've ever done, a four-day "cleansing package" at a swanky hotel in Greece. This, I tell myself, will be a proper break, in a hotel with clean sheets on the bed, blue skies, sand, the Aegean Sea and more than six hours' sleep a night.

The road to hell is paved with good intentions and the journey to the airport feels like it. I need to be there by 4am, which means leaving my house at 2.30am, which means staying out and not bothering going to bed at all. And that is how my detox begins – boozy, smoky and bleary-eyed.

The "cleansing" package, I'm told, has been designed to "stimulate circulation and detoxification". I think the word "detox" is a pile of bollocks, used to sell (mostly women) junk that they don’t need 'cause guess what, your internal organs know how to detox better than any cold-pressed juice. But scepticism aside, I really like the look of the itinerary, which involves outdoorsy exercise, plenty of delicious (real) food, wine and lots of lovely spa treatments.

On the first day I try a "water source journey" in the thermal spa (people love a "journey" don’t they) complete with steam room, Finnish sauna, tepidarium and a cold plunge pool. After that I am taken in a fluffy robe and slippers to be massaged, scrubbed and left to relax. Later I join an outdoor Pilates class which makes me realise I don’t hate all exercise, I just hate intimidating gyms with exposed brick, wall-to-wall mirrors and Ibiza Club Stompers 2014 playing at full blast. Exercising outdoors is really lovely and I decide to do more of it at home. By the morning of day two, I am feeling significantly better and by that I mean less addled, happier and more energetic. I start the morning in my room with a coffee and a butt-naked swim in my small private pool overlooking the sea.

The last full day of the trip is my favourite, a group of us get to try Nordic walking (with those silly sticks that are actually not silly at all). After about three hours of trekking in the heat I return for a Cryo Gel treatment – a draining leg massage and mask to boost blood circulation. Later in the afternoon I have a hydrobath (eh, all baths are hydrobaths, right?). At the end I feel so relaxed and far from London I have forgotten my last name and what I do for a living. On the final night I am in bed by 10pm. You have no idea how long it is since I’ve been able to write that sentence but the hotel beds are like clouds and I also undertake to investigate the cost of new sheets upon return. Or at least, start putting pillowcases on my pillows.

On the last morning I get up early to have one more nude swim. As I pack, I can’t help wishing the taxi would leave without me so I could have one more day here. I feel a bit foolish really, that I'd left it this long to take some time for myself. Going home to visit family and friends is all well and good but I never feel like it's a proper break with no strings attached, and that's what I've been missing – time to truly relax and to think.

Look, I’m not a changed woman or anything, but my little break made me realise that my work hard, eat crap, drink like a fish, smoke like a trooper and repeat lifestyle is taking its toll. If I keep it up, I'll look like Keith Richards by the time I'm 40. Living in London, or any city or town, can get a bit much and everyone needs time away from it.

The last thing I do before heading to the airport is to take the hotel pen and paper on the bedside table and write a list of the things I need more of in my life. It’s a long one with things like seeing friends I really like, reading, walking, listening to podcasts that are not solely about women being murdered, watching movies alone, dancing alone or in a group, travel (even if it’s just to Box Hill or the Co-op up the road), and pillowcases (matching sheets is my 2019 goal). In the column next to it I write the things I do too much of. There are only four: drinking, smoking, social obligation and Deliveroo.

For details or to book the 5* Miraggio Thermal Spa Resort, Halkidiki, Greece, click here

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They may be suffering with hangovers, but England's football fans have an extra spring in their step this morning following the country's epic win against Colombia in last night's World Cup knockout game.

The victory, which was the first time England has ever won a penalty shootout in the competition, has made fans even more optimistic than usual about our chances in the tournament – and they're spreading their giddy excitement online for us all to enjoy, football fans or not.

'It’s coming home' memes, featuring the iconic football anthem by The Lightning Seeds, have taken over social media along with footie-inspired parodies of films and TV shows, from Friends and Peaky Blinders to The Matrix and The Wolf of Wall Street.

If all goes to plan when England face Sweden in the quarter final on Saturday there will be many more patriotic memes to come, but here are some of the most amusing ones we've seen so far.

It’s coming home 🏴󠁧󠁢󠁥󠁮󠁧󠁿 pic.twitter.com/GIAD6tTZrB

— Its Coming Home 🏴󠁧󠁢󠁥󠁮󠁧󠁿 (@TheSpainTrain) July 4, 2018

The ultimate ‘coming home’ meme. Cannot be bettered. pic.twitter.com/95ora6Md4v

— RiotBadger™ (@riotbadger) July 4, 2018

Can I book a Taxi please #itscominghome #England pic.twitter.com/BINZKDvUgZ

— Katie (@ktDaltonator) July 3, 2018

Its coming home #England #FIFAWorldCup #startingtobelieve pic.twitter.com/035KqiMaGd

— Marc North (@LTJ_Northy) July 2, 2018

ITS COMING HOME 🦁🦁🦁 pic.twitter.com/i6BRPd2Rx6

— steve (@mavMclovin77) July 2, 2018

JUST HOLD ON ITS COMING HOME pic.twitter.com/c4fxbA5MoL

— Mani🖥🎨 (@ffsManiJ) July 3, 2018

Wake up, #ENG fans. Gareth has a message for you...#ItsComingHome pic.twitter.com/Z9b25gUsWx

— Proper Sport (@ProperSport) July 4, 2018

Best I’ve seen by far 🏴󠁧󠁢󠁥󠁮󠁧󠁿 pic.twitter.com/iXuXnD8Bs7

— Tom Sharp🏴󠁧󠁢󠁥󠁮󠁧󠁿 (@Sharpieee22) July 3, 2018

There was a knock at the door this morning.
You'll never guess who it was!#ItsComingHome pic.twitter.com/IyCirddRTy

— Rob Jones (@RobertoJonesio) July 4, 2018

"Can you see that, Gareth? That's football. It's coming home."#ENG #WorldCup pic.twitter.com/1e6SOcQctf

— Match of the Day (@BBCMOTD) July 3, 2018

Comedians Frank Skinner and David Baddiel – who feature in the famous anthem, which refers to the fact that football was invented in England – got involved in the celebrations.

It’s just about still coming home. pic.twitter.com/NCwuVW9aCi

— David Baddiel (@Baddiel) July 3, 2018

While England star Jesse Lingard memed himself after the game – to hilarious effect.

No mum, I’m not coming home. It’s... pic.twitter.com/VdFHVoEfTI

— Jesse Lingard (@JesseLingard) July 3, 2018

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